Oil painting Shepherd in the field Oleksiy Ivanyuk

№AAA4101

This oil painting cardboard, titled "Shepherd in the field", the brushstrokes are thick and expressive, capturing the raw textures of nature, from the expansive grasslands to the towering trees that sway gently in the wind. The artist’s use of impasto technique lends the painting a sculptural quality, making the colors and textures appear rich and dynamic. In the foreground, the field is depicted in shades of green, ranging from vibrant emerald to muted earthy tones, reflecting the natural diversity of grass and wild vegetation. The strokes are energetic and layered, conveying movement as if a breeze is rustling through the blades of grass. There are hints of orange and yellow near the bottom, possibly dried grass or fallen leaves, adding warmth to the scene. The middle ground is where the focal point of the painting emerges—a small herd of grazing animals, scattered across the field. Their forms are loosely defined with quick dabs of paint, emphasizing movement rather than rigid details. The shepherd, partially hidden beneath the shade of a large tree, appears as a solitary figure dressed in muted colors, perhaps wearing a cloak or a hat. The presence of the shepherd exudes a sense of quiet patience and dedication, reinforcing the timeless bond between human and nature. To the right, a prominent tree with deep green and rust-colored foliage provides a natural frame to the scene. Its branches extend outward, offering shelter and contrast against the lighter sky. The mix of warm and cool tones in the leaves suggests the transitional period between summer and autumn. The sky, painted in sweeping strokes of soft lavender, pale blue, and gray, dominates the upper portion of the painting. The interplay of light and shadow in the clouds suggests an overcast day with patches of sunlight breaking through, casting diffused light over the landscape. The sky’s vastness enhances the sense of openness and tranquility, a hallmark of pastoral settings. Despite the simplicity of the subject, the painting evokes a profound sense of peace and nostalgia. The shepherd’s presence amidst the grazing animals highlights a way of life that is deeply connected to nature. The subdued yet harmonious color palette, along with the expressive technique, captures the fleeting beauty of an ordinary yet timeless moment in the countryside.

*** ABOUT THIS PAINTING ***
* TITLE: "Shepherd in the field"
* ARTISTS: Oleksiy Ivanyuk
* SIZE: 15x20 cm/'5.90x7.87 inches'
* MEDIUM: oil, cardboard
* HAND PAINTED: Original painting from our collection
* CONDITION: Photos provide accurate information about the product.

About the artist: Born March 13, 1954, in the city of Piryatin, Poltava region. He graduated from the Art College named after N. Samokish (1887). Teachers in the specialty: V. Grigoriev, M. Morgun, L. Gracer. Painter. The main genres are landscape, still life. The paintings are distinguished by emotional openness, warmth, affirm the harmony of life. Dominants of creativity are the deep roots of national traditions, Ukrainian cultural heritage. Member of the National Union of Artists of Ukraine (2008). He taught fine art at the Pyryatinsky school - gymnasium of aesthetic education (1988-2008). At creative work. Participated in exhibitions: national and international (since 1978). Personal exhibitions - in Kiev (2003, 2007-2009), Lubny (Poltava region, California (USA; 2006), Poltava (2007, 2010), Priluki (Chernihiv region, 2008), Warsaw (2009). Main works: “Flowers field ”(2007),“ Still life with a daffodil ”(2004),“ Indian summer ”(2007),“ Birch ”,“ Spiral panychi ”,“ Kalina red ”(2004),“ Field of the sun ”,“ Apple blossom ”, “Evening Breath” (2005), “Silence”, “Summer” (2006), “Sunflowers” (2007), “Plowed Field”, “Such is Life ...”, “In the Garden” (2009), “It's Cold” (2010). Individual paintings are stored in the National Museum of Art, National U. T. Shevchenko, Museum of Cultural Heritage in Kiev, Poltava Museum of Local Lore, lived and worked in the city of Poltava.